Frogs and wine Make everything fine poster

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Frogs and wine Make everything fine poster

 TALCOTT Seelye's home, more so than Horan's, holds the material effects of a lifetime spent in the Arab world: Oriental carpets, miniature paintings, lithographs of the Holy Land, old books about the Middle East. I remember what another Arabist told me about his colleagues' affection for exotic carpets: "Rugs are a form of nomadic furniture that a Foreign Service officer can carry around the world and that creates its own intimate space."

"I want to write about Arabists," I begin. Seelye, a lanky and balding seventy-year-old, smiles and answers with a question: "Have you read The Wilder Shores of Love?"

The Wilder Shores of Love, by Lesley Blanch, is a book about four Victorian women who, as Horan would say, "fill out their personalities in exotic backgrounds," accepting something that, Blanch wrote, "was vanishing from the West, something to which they were all subconsciously drawn." The book continues, "Repose: the Eastern climate of contemplation, of Kif, of nothingness, brought to its quintessential state of voluptuous, animal stillness was a state wholly alien to the West." Seelye is no escapist. But despite a sometimes stormy career that has brought him into head-on clashes with supporters of Israel, among others, Seelye seems to have reached his own state of Kif, and is at any rate willing to display a soft spot for romance.

 

 

 

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